TANI BUNCHŌ (1763 — 1841)
Winter Landscape
Edo period, 18th/19th century
A Japanese hanging scroll painting, kakejiku, ink and colour on silk, with a single cloaked figure crossing a low bridge towards a snow-capped pavilion overlooking the lake, rugged mountain peaks rise up from the mist in the distance, signed Bunchō, sealed Bunchō to the lower left, together with a box.
Image 111cm x 33cm; total 194cm x 44cm (3)
Provenance: the Claudio Perino Collection, Turin, acquired mostly in Japan in early 2000s.
Exhibited: MAO Museo d'Arte Orientale, Turin, and MUSEC Museo delle Culture, Lugano, 2020 - 2022.
Literature: the exhibition catalogue Kakemono, Five centiuries of Japanese painting. The Perino Collection, p. 154, no 137.
Unlike the other two lots by Bunchō in this sale, this particular work uses a muted colour scheme to evoke the winter landscape, the red of the pavilion and the purple of the man’s cloak standing out against the blues and whites of the water and the snow. Bunchō was best known for his idealised Chinese landscapes, of which this is an excellent example. Unable to travel outside of Japan under the Tokugawa shogunate, Bunchō travelled extensively throughout his homeland, painting from nature and studying imported Chinese works of art, the resulting combination clearly visible in this work.
This lot has been imported from outside the UK for sale and placed under the Temporary Admission (TA) regime. Import VAT is payable at 5% on the hammer price. Standard VAT at 20% will be added to the buyer’s premium. Buyers are invited to familiarise themselves with these rules prior to bidding.
TANI BUNCHŌ (1763 — 1841)
Winter Landscape
Edo period, 18th/19th century
A Japanese hanging scroll painting, kakejiku, ink and colour on silk, with a single cloaked figure crossing a low bridge towards a snow-capped pavilion overlooking the lake, rugged mountain peaks rise up from the mist in the distance, signed Bunchō, sealed Bunchō to the lower left, together with a box.
Image 111cm x 33cm; total 194cm x 44cm (3)
Provenance: the Claudio Perino Collection, Turin, acquired mostly in Japan in early 2000s.
Exhibited: MAO Museo d'Arte Orientale, Turin, and MUSEC Museo delle Culture, Lugano, 2020 - 2022.
Literature: the exhibition catalogue Kakemono, Five centiuries of Japanese painting. The Perino Collection, p. 154, no 137.
Unlike the other two lots by Bunchō in this sale, this particular work uses a muted colour scheme to evoke the winter landscape, the red of the pavilion and the purple of the man’s cloak standing out against the blues and whites of the water and the snow. Bunchō was best known for his idealised Chinese landscapes, of which this is an excellent example. Unable to travel outside of Japan under the Tokugawa shogunate, Bunchō travelled extensively throughout his homeland, painting from nature and studying imported Chinese works of art, the resulting combination clearly visible in this work.
This lot has been imported from outside the UK for sale and placed under the Temporary Admission (TA) regime. Import VAT is payable at 5% on the hammer price. Standard VAT at 20% will be added to the buyer’s premium. Buyers are invited to familiarise themselves with these rules prior to bidding.
Auction: Pursuing Perfection, the Perino Collection, 31st Mar, 2025
We are thrilled to offer a selection of pieces from a distinguished Italian private collection of East Asian art.
Dr Claudio Perino begun collecting in the early 2000s. His interest in Japanese lacquer soon transitioned into woodblock prints and ceramics, eventually focusing on paintings from the Edo and Meiji periods.
Always eager to share the joy of experiencing his treasures, Dr Perino exhibited his lacquer, prints and paintings at the MAO - Museum of Oriental Art in Turin between 2008 - 2023. The twenty-four paintings featured in the current sale were a part of a large exhibition curated by Prof Matthi Forrer at the Museo delle Culture in Lugano and later the Torinian MAO between 2020 - 2022.
Among the sixty-seven lots presented here, there are a few pieces of Korean ceramics. Chinese art is represented among others by a porcelain plaque by Wang Qi, an early Qingbai ewer and two important Qing Dynasty embroidered silk robes.
Lots 38 and 40 will be a subject to a deposit payable at least 24hours before the auction day.
All lots are sold under Temporary Admission. Additional 5% is added on the hammer price, standard 20% VAT applies to our Buyer's Premium of 23%.
For any questions relating to the sale, please contact the Head of the Japanese Department, Marta Somauroo at marta@azcaauctions.com.
Viewing
7th - 30th March 2025, Monday to Friday: 11am to 4pm
Note:
Saturday the 29th and Sunday the 30th March the preview will be open from 11am to 4pm