A SAFAVID BLUE AND WHITE CHINESE INSPIRED POTTERY BOTTLE
Safavid Iran, 17th century
Fritware body, resting on a disc foot, the bottle has a pear-shaped body with an elongated neck. The exterior is painted with underglaze cobalt blue and darker outlines, depicting figures seated on grass and among vegetal elements. The neck is further decorated with a meander band, Chinese-inspired cloud-like motifs, and elongated acanthus leaves, almost entirely covered by the silver mouth rim. A pseudo-Chinese mark within a square is present at the base.
These wares were typically made of fritware and decorated with cobalt-blue underglaze designs on a white or creamy background. Common motifs included floral patterns and arabesques, often blending Chinese-inspired aesthetics with distinctly Persian decorative attitude. The blue-and-white Safavid production was inspired by Chinese porcelain imported via the Silk Road and maritime trade, as these wares were highly prized both in Safavid Persia—where they were collected in the chini-khana (cf. the Shah Abbas collection in Ardabil)—and in Ottoman Turkey (cf. the extensive collection at the Topkapi Palace).
24cm high
For further reference on the subject see: Crowe Y., Persia and China: Safavid blue and white ceramics in the Victoria & Albert Museum 1501-1738. London, Thames and Hudson, 2002.
Sold for £344
A SAFAVID BLUE AND WHITE CHINESE INSPIRED POTTERY BOTTLE
Safavid Iran, 17th century
Fritware body, resting on a disc foot, the bottle has a pear-shaped body with an elongated neck. The exterior is painted with underglaze cobalt blue and darker outlines, depicting figures seated on grass and among vegetal elements. The neck is further decorated with a meander band, Chinese-inspired cloud-like motifs, and elongated acanthus leaves, almost entirely covered by the silver mouth rim. A pseudo-Chinese mark within a square is present at the base.
These wares were typically made of fritware and decorated with cobalt-blue underglaze designs on a white or creamy background. Common motifs included floral patterns and arabesques, often blending Chinese-inspired aesthetics with distinctly Persian decorative attitude. The blue-and-white Safavid production was inspired by Chinese porcelain imported via the Silk Road and maritime trade, as these wares were highly prized both in Safavid Persia—where they were collected in the chini-khana (cf. the Shah Abbas collection in Ardabil)—and in Ottoman Turkey (cf. the extensive collection at the Topkapi Palace).
24cm high
For further reference on the subject see: Crowe Y., Persia and China: Safavid blue and white ceramics in the Victoria & Albert Museum 1501-1738. London, Thames and Hudson, 2002.
Auction: Arts of India and the Islamic Lands, 22nd Apr, 2026
We are excited to present our Islamic and Indian Art Auction.
The sale brings together a remarkable collection of rare textiles, lacquerwear, woodwork, manuscripts and more. Featuring a 13th century bronze Ayyubid candlestick (lot 29), a monumental Indian silver-overlaid wooden footstool (lot 140) and an Ottoman calligraphic silk lampas panel from the inner covering of the Ka’ba (lot 166).
One further unmissable highlight is the beautifully enamelled 18 carat gold pocket watch by Breguet et Fils, produced for the Ottoman market (lot 148). We are delighted also to present further pieces from the collection of Mr Georges Antaki in this auction, which promises something of interest for all collectors interested in Islamic and Indian art.
Sale date(s) & Start time:
22 Apr 2026 12:00 BST
Viewing
Viewing date(s) & Start time(s):
17 Apr 2026 10:00 - 16:00
18 Apr 2026 11:00 - 16:00
20 Apr 2026 10:00 - 16:00
21 Apr 2026 10:00 - 16:00