A FINELY CARVED INDIAN SANDALWOOD BOX WITH JUNGLE SCENE
Mysore, Karnataka, Southern India, second half 19th century
Of square shape with gently everted sides, reminiscent of a casket, resting on four pronounced paw-shaped feet, surmounted by a stepped, hinged lid, the exterior intricately and finely carved with naturalistic scenes of animals amidst dense foliage in their natural habitat, the lid featuring a deeply carved central square panel depicting a dynamic jungle tableau with a charging elephant accompanied by leaping deer beneath thick trees, encased within multiple friezes densely carved with scrolling foliage interspersed with birds in flight and perched amidst leaves, the outer edges adorned with repeated borders of geometric patterns and finely detailed vegetal motifs, the sides similarly embellished with rectangular deeply-carved panels depicting lively forest creatures including elephants, gazelles, squirrels, rabbits, exotic birds, and tigers prowling and grazing within an exuberant foliate ground, each side framed by vertical geometric bands, the interior left plain revealing the subtle fragrance and refined grain of the sandalwood, the base plain.
20cm x 21.5cm x 12.5cm
This box exemplifies the highly skilled tradition of South Indian sandalwood carving, known as gudigar art. The term ‘gudigar’, derived from ‘gudi’, meaning temple in Kannada, refers to artisans specially trained in carving temple architecture, intricate wooden decorations, and devotional items. Mysore artisans were celebrated for their exceptionally detailed craftsmanship, achieving international acclaim through their participation in the Great Exhibition in London (1851) and other prominent international expositions, where their carvings drew praise for their remarkable delicacy and intricacy. For related examples of Mysore sandalwood carving, please see Christie’s London, 10 June 2013, lot 286; 10 October 2014, lot 102; and 25 May 2017, lot 86, all illustrating the remarkable depth of carving and virtuosity typical of Mysore gudigar boxes from this period.
A FINELY CARVED INDIAN SANDALWOOD BOX WITH JUNGLE SCENE
Mysore, Karnataka, Southern India, second half 19th century
Of square shape with gently everted sides, reminiscent of a casket, resting on four pronounced paw-shaped feet, surmounted by a stepped, hinged lid, the exterior intricately and finely carved with naturalistic scenes of animals amidst dense foliage in their natural habitat, the lid featuring a deeply carved central square panel depicting a dynamic jungle tableau with a charging elephant accompanied by leaping deer beneath thick trees, encased within multiple friezes densely carved with scrolling foliage interspersed with birds in flight and perched amidst leaves, the outer edges adorned with repeated borders of geometric patterns and finely detailed vegetal motifs, the sides similarly embellished with rectangular deeply-carved panels depicting lively forest creatures including elephants, gazelles, squirrels, rabbits, exotic birds, and tigers prowling and grazing within an exuberant foliate ground, each side framed by vertical geometric bands, the interior left plain revealing the subtle fragrance and refined grain of the sandalwood, the base plain.
20cm x 21.5cm x 12.5cm
This box exemplifies the highly skilled tradition of South Indian sandalwood carving, known as gudigar art. The term ‘gudigar’, derived from ‘gudi’, meaning temple in Kannada, refers to artisans specially trained in carving temple architecture, intricate wooden decorations, and devotional items. Mysore artisans were celebrated for their exceptionally detailed craftsmanship, achieving international acclaim through their participation in the Great Exhibition in London (1851) and other prominent international expositions, where their carvings drew praise for their remarkable delicacy and intricacy. For related examples of Mysore sandalwood carving, please see Christie’s London, 10 June 2013, lot 286; 10 October 2014, lot 102; and 25 May 2017, lot 86, all illustrating the remarkable depth of carving and virtuosity typical of Mysore gudigar boxes from this period.
Auction: Arts of India and the Islamic Lands, 19th Jun, 2025
Our specialist auction Arts of India and the Islamic Lands is now online for you to browse, peruse and fall in love with your next antique.
Among the highlights, this sale vaunts a remarkable selection of Rajput Schools paintings and an illustrated loose folio from a Timurid Haft Paykar series, all part of a private Canadian collection; several gem-studded Indian necklaces, treasured heirlooms of a local family; a notable group of Islamic manuscripts, including a geomantic tome attributed to the Nubian alchemist Dhul-Nun al-Misri; and several lots of Persian Qajar lacquer belonging to the heir of a British diplomatic family in office under Sir Denis Wright in Tehran between 1971 - 1973.
Our selected lots preview starts next week, on Tuesday 3rd June, and the full view is going to take place from Friday 13th June until the sale day.
Mark your calendars and come to see us!
Viewing
Viewing:
13th June - 10:00 - 17:00
14th June - 11:00 - 16:00
15th June - 11:00 - 16:00
16th June - 10:00 - 17:00
17th June - 10:00 - 17:00
18th June - 10:00 - 17:00