A PALESTINIAN SLEEVELESS INDIGO BLUE-DYED LINEN JILLAYEH COAT WITH KASSABA EMBROIDERY
Bethlehem or Jerusalem, Holy Land, circa 1880s - 1920s
A finely embroidered sleeveless linen coat, traditionally known as a jillayeh or durra, hand-dyed in deep indigo and richly ornamented with multicoloured silk floss embroidery in the characteristic kassaba stitch, worked in orange, red, green, yellow, blue, and magenta thread, the front panels and hem intricately decorated with stylised vegetal and floral motifs, the interior seams and openings embellished in red and saffron silk embroidery, the rear shoulder decorated with large palmette motifs, bordered throughout with geometric and foliate tatreez, worked on handwoven linen.
126cm long
This garment exemplifies the distinguished art of Palestinian embroidery of the late Ottoman period, known for its intricate couching techniques (kassaba or taqsireh) and vibrant silk work on dark ground fabrics. Such coats were typically worn as ceremonial or wedding garments by Palestinian Christian and Muslim women alike, often layered over other embroidered dresses (thob), and were regarded as markers of local identity, wealth, and marital status. Comparable jillayehs can be found in the British Museum's collection (As1968,04.31 and As1967,02.15).
Sold for £374
A PALESTINIAN SLEEVELESS INDIGO BLUE-DYED LINEN JILLAYEH COAT WITH KASSABA EMBROIDERY
Bethlehem or Jerusalem, Holy Land, circa 1880s - 1920s
A finely embroidered sleeveless linen coat, traditionally known as a jillayeh or durra, hand-dyed in deep indigo and richly ornamented with multicoloured silk floss embroidery in the characteristic kassaba stitch, worked in orange, red, green, yellow, blue, and magenta thread, the front panels and hem intricately decorated with stylised vegetal and floral motifs, the interior seams and openings embellished in red and saffron silk embroidery, the rear shoulder decorated with large palmette motifs, bordered throughout with geometric and foliate tatreez, worked on handwoven linen.
126cm long
This garment exemplifies the distinguished art of Palestinian embroidery of the late Ottoman period, known for its intricate couching techniques (kassaba or taqsireh) and vibrant silk work on dark ground fabrics. Such coats were typically worn as ceremonial or wedding garments by Palestinian Christian and Muslim women alike, often layered over other embroidered dresses (thob), and were regarded as markers of local identity, wealth, and marital status. Comparable jillayehs can be found in the British Museum's collection (As1968,04.31 and As1967,02.15).
Auction: Arts of India and the Islamic Lands, 19th Jun, 2025
Our specialist auction Arts of India and the Islamic Lands is now online for you to browse, peruse and fall in love with your next antique.
Among the highlights, this sale vaunts a remarkable selection of Rajput Schools paintings and an illustrated loose folio from a Timurid Haft Paykar series, all part of a private Canadian collection; several gem-studded Indian necklaces, treasured heirlooms of a local family; a notable group of Islamic manuscripts, including a geomantic tome attributed to the Nubian alchemist Dhul-Nun al-Misri; and several lots of Persian Qajar lacquer belonging to the heir of a British diplomatic family in office under Sir Denis Wright in Tehran between 1971 - 1973.
Our selected lots preview starts next week, on Tuesday 3rd June, and the full view is going to take place from Friday 13th June until the sale day.
Mark your calendars and come to see us!
Viewing
Viewing:
13th June - 10:00 - 17:00
14th June - 11:00 - 16:00
15th June - 11:00 - 16:00
16th June - 10:00 - 17:00
17th June - 10:00 - 17:00
18th June - 10:00 - 17:00