A MONUMENTAL TINNED COPPER MAMLUK BASIN
Egypt or Syria, late 15th century
Round, flattened base with straight, tapering walls, engraved in the typical late-Mamluk style with cartouches filled with densely interlaced vegetal tendrils, bold thuluth inscriptions extolling the emir, and lobed medallions bearing the Mamluk emblem of the pen-case (devit). According to Mayer, the pen-case emblem was used by various officers, beginning with secretaries of lower rank at court. The typical pen-case consists of four elements: the ink-pot, the sand-pot and the starch-paste pot, a receptacle for thread (used to clean pens), and finally two or three compartments for reeds (cf. Mayer L.A., Saracenic Heraldry, 1933, p. 12). This basin represents a characteristic type of metalwork produced shortly before the Ottoman takeover. The tinned copper material reflects the economic pressures and scarcity of precious metals that marked the final phase of the Mamluk period. Comparable examples of late Mamluk tinned-copper pieces can be found in public collections; see Atil E., Renaissance of Islam: Art of the Mamluks, 1981, pp. 106–7, no. 38.
23cm high, 38cm diameter, 47cm at its widest
For a related example on the subject see: Sotheby's London, 6 April 2011, lot 324.
A MONUMENTAL TINNED COPPER MAMLUK BASIN
Egypt or Syria, late 15th century
Round, flattened base with straight, tapering walls, engraved in the typical late-Mamluk style with cartouches filled with densely interlaced vegetal tendrils, bold thuluth inscriptions extolling the emir, and lobed medallions bearing the Mamluk emblem of the pen-case (devit). According to Mayer, the pen-case emblem was used by various officers, beginning with secretaries of lower rank at court. The typical pen-case consists of four elements: the ink-pot, the sand-pot and the starch-paste pot, a receptacle for thread (used to clean pens), and finally two or three compartments for reeds (cf. Mayer L.A., Saracenic Heraldry, 1933, p. 12). This basin represents a characteristic type of metalwork produced shortly before the Ottoman takeover. The tinned copper material reflects the economic pressures and scarcity of precious metals that marked the final phase of the Mamluk period. Comparable examples of late Mamluk tinned-copper pieces can be found in public collections; see Atil E., Renaissance of Islam: Art of the Mamluks, 1981, pp. 106–7, no. 38.
23cm high, 38cm diameter, 47cm at its widest
For a related example on the subject see: Sotheby's London, 6 April 2011, lot 324.
Auction: Arts of India and the Islamic Lands, 22nd Apr, 2026
We are excited to present our Islamic and Indian Art Auction.
The sale brings together a remarkable collection of rare textiles, lacquerwear, woodwork, manuscripts and more. Featuring a 13th century bronze Ayyubid candlestick (lot 29), a monumental Indian silver-overlaid wooden footstool (lot 140) and an Ottoman calligraphic silk lampas panel from the inner covering of the Ka’ba (lot 166).
One further unmissable highlight is the beautifully enamelled 18 carat gold pocket watch by Breguet et Fils, produced for the Ottoman market (lot 148). We are delighted also to present further pieces from the collection of Mr Georges Antaki in this auction, which promises something of interest for all collectors interested in Islamic and Indian art.
Sale date(s) & Start time:
22 Apr 2026 12:00 BST
Viewing
Viewing date(s) & Start time(s):
17 Apr 2026 10:00 - 16:00
18 Apr 2026 11:00 - 16:00
20 Apr 2026 10:00 - 16:00
21 Apr 2026 10:00 - 16:00