GOLESHAN-E ANWAR: THE GARDEN OF LIGHTS - POETIC COMPOSITION
YAHYA BEY DUKAGJINI (D. 1582), COPIED BY HAJJ ABDULLAH IBN FARAH KATEHDA
Ottoman Turkey, dated 1004 AH (1592 AD)
Turkish manuscript on lined paper, composed of 106 leaves (212 pages). 15 lines to the page, arranged in two columns, written in black naskh script, with titles highlighted in red and set within dedicated horizontal cartouches. The writing frame (jadwal) bordered with a gilt fillet. The opening page features an unwan finely illuminated with floral and arabesque motifs within cobalt-blue and gilded medallions, further embellished with arrow-shaped floral sprays rising toward the upper margin. At the end of the manuscript are extensive notes, commentaries, and ownership stamps, including one Persian and another from the Egyptian University.
Yahya Bey Dukagjini (c. 1498–1582), also known as Taslicali Yahya Bey, was an Albanian-origin Ottoman poet and soldier from the Dukagjini tribe, recruited via the devsirme system. He served as a Janissary, fighting in key battles like Chaldiran (1514) and Szigetvár (1566). Exiled to Bosnia after his 1553 elegy for Shehzade Mustafa, he composed a Turkish diwan and mystical mesnevis like Shah u geda. Later turning to Sufism, he held a Zvornik fief until his death around 1582.
Gulshen-i Anwar is a mystical mathnawi (poetic form consisting of rhymed couplets) composed by Yahya Bey Dukagjini in the 16th century during his exile in Bosnia. It is divided into 40 short 'discourses' and explores Sufi themes influenced by Rumi and Jami, emphasizing divine love and mysticism. Several poems by Yahya Bey Dukagjini from the late 16th century are preserved in Western collections, including Gencine-i Raz (The Treasury of Secrets) held at the SOAS Library (MS 14451) and another copy in the Royal Asiatic Society of Great Britain and Ireland (RAS Turkish 32).
19cm x 13cm
GOLESHAN-E ANWAR: THE GARDEN OF LIGHTS - POETIC COMPOSITION
YAHYA BEY DUKAGJINI (D. 1582), COPIED BY HAJJ ABDULLAH IBN FARAH KATEHDA
Ottoman Turkey, dated 1004 AH (1592 AD)
Turkish manuscript on lined paper, composed of 106 leaves (212 pages). 15 lines to the page, arranged in two columns, written in black naskh script, with titles highlighted in red and set within dedicated horizontal cartouches. The writing frame (jadwal) bordered with a gilt fillet. The opening page features an unwan finely illuminated with floral and arabesque motifs within cobalt-blue and gilded medallions, further embellished with arrow-shaped floral sprays rising toward the upper margin. At the end of the manuscript are extensive notes, commentaries, and ownership stamps, including one Persian and another from the Egyptian University.
Yahya Bey Dukagjini (c. 1498–1582), also known as Taslicali Yahya Bey, was an Albanian-origin Ottoman poet and soldier from the Dukagjini tribe, recruited via the devsirme system. He served as a Janissary, fighting in key battles like Chaldiran (1514) and Szigetvár (1566). Exiled to Bosnia after his 1553 elegy for Shehzade Mustafa, he composed a Turkish diwan and mystical mesnevis like Shah u geda. Later turning to Sufism, he held a Zvornik fief until his death around 1582.
Gulshen-i Anwar is a mystical mathnawi (poetic form consisting of rhymed couplets) composed by Yahya Bey Dukagjini in the 16th century during his exile in Bosnia. It is divided into 40 short 'discourses' and explores Sufi themes influenced by Rumi and Jami, emphasizing divine love and mysticism. Several poems by Yahya Bey Dukagjini from the late 16th century are preserved in Western collections, including Gencine-i Raz (The Treasury of Secrets) held at the SOAS Library (MS 14451) and another copy in the Royal Asiatic Society of Great Britain and Ireland (RAS Turkish 32).
19cm x 13cm
Auction: Arts of India and the Islamic Lands, 22nd Apr, 2026
We are excited to present our Islamic and Indian Art Auction.
The sale brings together a remarkable collection of rare textiles, lacquerwear, woodwork, manuscripts and more. Featuring a 13th century bronze Ayyubid candlestick (lot 29), a monumental Indian silver-overlaid wooden footstool (lot 140) and an Ottoman calligraphic silk lampas panel from the inner covering of the Ka’ba (lot 166).
One further unmissable highlight is the beautifully enamelled 18 carat gold pocket watch by Breguet et Fils, produced for the Ottoman market (lot 148). We are delighted also to present further pieces from the collection of Mr Georges Antaki in this auction, which promises something of interest for all collectors interested in Islamic and Indian art.
Sale date(s) & Start time:
22 Apr 2026 12:00 BST
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Viewing date(s) & Start time(s):
17 Apr 2026 10:00 - 16:00
18 Apr 2026 11:00 - 16:00
20 Apr 2026 10:00 - 16:00
21 Apr 2026 10:00 - 16:00